Wednesday, February 6, 2013

Mensday Wednesday: Pollos a la Brasa de Mario

What is that saying about best laid plans going astray? Well, the gods were laughing at our dinner plans last night when we exited the 7 train at 82ndstreet and strolled up to our destination only to find the lights off and the proprietor pulling the gate down. The disappointment was immense at first, particularly since this little Colombian restaurant came highly recommended, but serendipity intervened in the form of a stray passerby who, observing the plight of seven lost souls, took it upon himself to be our guardian angel. We were left blessing our good fortune as his suggestion, Pollos a la Brasa de Mario: El Palacio de los Frisoles, turned out to be incredible.

Anyone who has spent any amount of time in the Elmhurst/Jackson Heights neighborhood in Queens will know that the Latin American restaurants there are a dime a dozen. I counted at least twenty different places between exiting the subway and arriving at our destination.This might give one pause, but it got me musing on the economies of agglomeration. It seems counterintuitive at first: why would a business want to open itself up in the near vicinity of its competitors? But when you think about it, it makes sensethese establishments benefit from, among many things, common suppliers and specialized labor and from a consumer point of view, the variety of choice is awesome. Just like Flushings Chinatown a few stops down the 7 line, this little stretch along Roosevelt Avenue is home to a ton of similar looking spots and Id be willing to wager that youd find it difficult to find a terrible meal among them. And if you do find a disappointing meal, I can assure you it wont be at Pollo a la Brasa de Mario.

Announcing itself loudly with bright red and yellow paint and a neon Abierto 24 HRS sign blinking in the window, the giant cartoon chicken on the storefront declared the specialty of the house with a shout. We made our way up the stairs to our second floor table, soaking in the atmosphere: every television tuned to the Colombia-Uruguay soccer game, cumbia blasting, servers rushing about, the tables packed with families, couples, and solo diners; this place hummed with frenetic energy. It passed the auditory, visual, and olfactory tests, the only thing left was the taste exam.

Was there any doubt it would pass with flying colors? We dispensed with such frivolities as appetizers and salads and jumped right to the main event: two orders of grilled skirt steak, three orders of fried pork belly, three whole chickens, and a plethora of unexpected sides accompanying each dish. A word on the sidesplates and plates of sliced avocado, heaping piles of rice and beans (we were eating in the palace of bean stew after all), freshly baked arepas (doughy little corn rolls), and, arguably the most delicious thing to hit our mouths the entire night, tostones (deep fried sliced plantain). Not your normal tostones, which are often disappointingly small and either over-fried and dry or undercooked and limp. These bad boys were palm sized discs liberally slathered in mojo (a garlic cilantro sauce), crunchy yet yielding to the bite, the best tostones Ive had in my life by a wide margin.

The first thing to come and the dish that sticks out in my mind more than any other was the grilled skirt steak. The price was $20 a plate, which I assumed bought you one steak. I was shocked to discover that each order came with three (!) steaks along with roasted potatoes, grilled chorizo and a massive bowl of chimichurri. What an incredible deal; I would eat there every day if I lived close by. Next came the pork belly: crackling and unctuous, a texture that only pork belly and pork belly alone can achieve, served with nothing more than a few sliced limes. Along with the pork came the especialidad de la casarotisserie chickenthe skin golden brown and crispy with meat that fell off the bone and was juicy beyond measure; devoured within moments. This was all washed down with large, bordering on copious, amounts of Aguila beer (the national beer of Colombia).

After departing fully sated and satisfied, we hopscotched our way back towards the train station, ducking into some of the many bars that also line Roosevelt Avenue for refreshment. To be honest, this portion of the evening is somewhat hazy, but things pick back up with razor sharp clarity after visiting another 24 hour establishment, the gloriously entitled La Abunduncia Bakery. The first sip of caf con leche did a wonderful job in restoring my faculties, not to mention providing an admirable compliment to the bread pudding it helped wash down.

Last night Roosevelt Avenue stole my heart through my stomach. I cannot wait to go back.

P.S. There are a bunch of places named Pollos a la Brasa de Mario. I believe that at least some, but not all, of them share the same owner (I have no evidence for this other that the name and menus are the same).

(About Mensday Wednesday: Being located in New York City gives us the opportunity to sample a wide array of food. After all, there are over 20,000 restaurants here and in a huge city, built on the contributions of immigrants, which continues to draw people from every corner of the world, it is statistically probable that there exists a commercial enterprise operating to meet everyones taste, as disparate as those tastes may be. There are no set requirements as to where we dine, but a sort of tacit set of rules have emerged: price is importantthe final bill should never cause us to wince, international cuisine is preferred, and in the event of a debate, byob is the trump card.)

Calder Quinn is afearlessgastronome exploring New York City one restaurant at a time andthe eldest son of Lucinda Scala Quinn, Livings Executive Editorial Director of Food.

Follow Mensday Wednesdays on Twitter@mensdae


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Tuesday, February 5, 2013

My Notecard Obsession

One of my not-so-secret obsessions: Stationery. Ive loved snail mail since I was a little kid. I faithfully wrote to my pen pal, who lived in Texas, every single week for years. Sure, its old school, but there issomething reallyspecial about receiving a handwritten note. Today, I use any occasion as an excuse to break out my collection of notecards. Here are several sets that Im coveting right now.

1.Antique Stitch Pool A2 Stationery,set of 10, from Paper Source, $9. 2. Rose Cards, set of 6, by Fawnsberg,$16.50. 3. Bow Note Cards, set of 6,by Sugar Paper, $24. 4.Assorted Girlie Dog Cards, set of 8, by Rifle Paper Co., $18.

5.Herringbone Blank Note Cards, set of 4, byMonkey Mind Design, $8. 6. Stanleys Stationery, set of 8, by Mr. Boddingtons Studio, $20. 7.Polka Dot Cards, set of 12, by Wit & Whistle, $9.8. Tribe Print Notecards, set of 10, by Rocket Ink, $12.50.

Kristen Flanagan is an Associate Editor atMartha Stewart Living. When shes not spoiling her puppy Millie, shes finding ways to decorate her tiny one-bedroom apartment. Follow her on Pinterest @kflan85.


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Monday, February 4, 2013

American Made Series: Will Lisak


Will Lisak is the Maker behind ETWAS bags. The ETWAS project combines artisanal leather design, low impact business, and consistent design values.

How and when did you start the company?
I founded ETWAS in 2009, after finishing a degree in design. I had made a leather bag and so many people that I met asked me to make them one like it. The reaction was so strong that I decided I needed to pursue it; I havent looked back since.

Whats the story behind the name?
Etwas is the word something in German. I like the name because good design is not just about having a beautiful product, but designing a beautiful process. The products we make are just somethings. Its how we go about producing and employing ourselves that is important.

You take great care to explain your project statement on your site. Can you sum it up for us and tell us about the creative forces behind it?
With ETWAS, I want the product to come from a beautiful and graceful system. Every part functions well and is meaningful, from our workbenches to our windows to the tools we use.

What brought you to sustainable design?
Sustainability has always been a big part of my life. My parents were back to the land homesteaders in the 70s and I grew up on a small organic farm. They taught us to use our hands, be creative thinkers, and to enjoy and be stewards of the land. I worked on traditional sailing ships, which utilize clean technology and offer a really beautiful way of doing things. I also worked on a larger organic farm where I would bike to work in the morning.I decided I would only work a job that would be that healthy and rewarding.

You call the company light and mobile. Where does most of your work happen?
We use mostly hand tools and traditional methods, this is what we mean by light and mobile. We dont have a lot of heavy equipment. Our studio is a place for people to work, not a factory to house machines. We also use small tool bench/boxes that allow us to work anywhere, so a person can work from home if they want to. Theres something refreshing in that hardy, lasting things can be made with such light production.

You offer free repairs for life (!). What are other key elements that set an ETWAS bag apart?
Quality materials and quality workmanship. We use the best domestic vegetable tanned leather and we use time-honored methods to assemble. We use two-needle saddle stitching in a recessed groove for our seams, which is nearly indestructible. Our products are made to stand the test of time and its important to me that we stand behind that with a warranty like the ones companies used to offer.

How long does it take to craft a bag from start to finish?
It depends greatly on who is sewing it! For me, it takes five hours.

You ask customers to email you directly, since anonymity is over-rated. Has this approach reaped any interesting results?
Oh, yes. Were going to launch an e-cart option soon, but I hope people will still write to us. Weve heard from people in every corner of the globe, and have sold to all kinds of customers from award-winning actors to men working the ranches of Australia.

Has your vision for the company grown or morphed over time?
Yes and no. Ive learned a tremendous amount. I started out with an overly idealistic mindset, and Ive had a crash course in business over the last few years. Now that Ive hit my stride, Im seeing that the best way forward is not so different from what I first imagined.

Who are makers that inspire you?
Im really inspired by traditional craftsmen like George Nakashima as well as by digital craftspeople, the coders and designers that make this whole craft revival possible. They allow small-scale makers to compete with large companies and share their stories with the world. Im also inspired by other new makers, like John Neeman, a great blacksmith in rural Estonia,who is equally adept with hammer and anvil as with a camera and laptop to share his craft.

Have you received any key pieces of advice along the way?
Yes, a successful businessperson once told me that the key to success at anything is to always be in love. No matter what youre pursuing, be in love with it.

What do you consider your biggest success so far?
That Ive made this all work! Every day things are getting better, our product is more refined, our production more efficient. I love that Im able to wake up and do this every day.

Your toughest challenge?
Making careful choices. Were often presented with opportunities, collaborations, special projects, some things that would make us grow too quickly. We have to keep walking rather than try to sprint over unknown and unsteady terrain and risk falling.

Certain albums, a morning coffee ritual what gets you in the creative mood while you work?
We are really blessed that we work with hand tools. Our work is largely quiet and focused, which is perfect for listening to audiobooks, podcasts, and radio programs. I love that my body can be at work and my mind can be learning or enveloped in a novel.

What do you hope the future brings?
We are working on launching the first in a series of new designs that are scalable; the customer will be able to change the dimensions to match his/her needs. This is really exciting to me, because no two people are alike, and no two people carry the same things. In the old days, a craftsperson would make every product for the exact needs of the user, and now, thanks to digital technology, were going to be able to bring that back in a viable way.

Maeve Nicholson is a contributing editor at Martha Stewart Living. Follow her on Instagram.com @maeverz.

(photos: Hazel Kiesewetter, Steven Gerlich)


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American Made Series: Aleishall Girard Maxon

Studio Deseos beautiful pieces are designed by jewelery artist Aleishall Girard Maxon. Her collection is bright and delicately bold, using a variety of colors, tassels and beads.

What are the key ingredients in a Studio Deseo piece?
Im constantly experimenting with different techniques and love to discover new styles. Core elements of a Studio Deseo piece are color, texture and the juxtaposition of dainty and bold. I love to pair things like delicate Japanese seed beads with a giant poufy tassel made from brightly colored yarn. Or have a black and white palette with a pop of hot pink.

One of the most strikingly beautiful elements in your work is your playful yet chic color palate; where would you say the inspiration for this comes from?
My love of color and need to be surrounded by it both in my personal life and in my work is an intrinsic part of who I am. I grew up surrounded by the rich colors of the landscape in New Mexico. Our house was filled with colorful textiles, artwork and folk art. I also inherited a love of collecting and have always gravitated towards objects of color. Arranging things around my house can often inform a collection Im working on in terms of color.

Have you introduced your kids to crafting yet?
I have two little girls, 4 and 1. My older daughter loves to be with me in my studio and will sit next to me while I work on necklaces, totally engaged in her own project. She has started to bead, though with much larger materials as the needles I work with are no larger than a hair. She has access to all sorts of her own supplies so that she can create things when the mood strikes. I love seeing what she comes up with and have been inspired by her color palates on many occasions.

Where does the majority of your work happen?
I am very lucky to have a gorgeous studio that is a stand alone structure on our small lot in Berkeley. It was originally the carriage house but my lovely husband re-modeled it, transforming what was once dark and dilapidated into a light filled haven for creativity.

What are the major techniques you use in crafting your jewelry?
I was never formally trained, so Ive developed techniques that work for me over time. In the past, Ive used more premade pompoms from India, but now I make my own pompoms and tassels, which I love and prefer to do because they turn out stronger and are more easily incorporated into the necklaces. There has been a great deal of trial and error over the years to figure out what works for me in combining the unique elements that I use.

What other jewelry makers or artists in general have had the biggest impact on you?
My Grandfather Alexander Girards work is a huge influence on my whole aesthetic. His understanding and use of color is a daily inspiration. His lifes work was just brilliantly presented in the form of a book by Todd Oldham and Kierra Coffee. Being able to reference so much of his work has sparked a whole new desire to create. My brother Kori Girard is a visual artist whose work also has a huge impact on me. Both being artists, but working in different mediums, we often play off one another with use of color, pattern etc. We are now working together as Girard Studio, which our family formed to help protect and promote the legacy of our grandfather.

As far as other jewelry designers whove had an impact, most of what I find interesting and engaging is ornament made in the folk tradition from places like Laos, North Africa, India, Mexico, Peru, Pakistan and Turkey.

Where can we see more of your wonderful work?
I am busy working on a web store where you will be able to buy my work, though that part of my website is still in development. My work is sold in Japan, Europe, Australia and Korea. Here in the states, you can find Studio Deseo at a number of stores including Erica Tanov (New York + Berkeley) Layla in Brooklyn and Reliquary in San Francisco. A list of the other stockists can be found on my website studiodeseo.com

Maeve Nicholson is a contributing editor at Martha Stewart Living. Follow her on Instagram.com @maeverz.

(photos: claudine gossett photography)


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Saturday, February 2, 2013

Guest Pinner: Grace Atwood of Stripes & Sequins

All that glitters may not be gold, but you can guarantee it will still catch guest pinner Grace Atwoods admiring eye. Grace is the voice behindfashion & DIY blogStripes & Sequins.With weekly runway-inspired DIY projects, as well as a mix of fashion, beauty, and lifestyle posts, Stripes & Sequins has been catching the attention of magazines likeGlamourandLucky since its launch in January 2010.

As if blogging werent enough, Grace also manages social media forBauble Bar, the popular online fashion jewelry retailer. (No wonder she has a magpies eye for sparkle).

Were thrilled to announce that Grace will be joiningMartha Stewart Livingas a guest pinner for the next month. For a fabulous mix of DIY project inspiration, beautiful fashion finds, and of course, a little bit of glitz, click here to view Graces Pinterest board. If you cant get enough of Grace, you can also follow her onFacebook,Twitter, andPinterest.

And be sure to follow theMartha Stewart Living boardson Pinterest, where our editors are constantly pinning delicious recipes, crafts, inspiring holiday ideas, and much, much more.


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On the Road: Palm Beach

Last week we explored Palm Beach, on the hunt for the best thrift, consignment, and antique stores, while staying at the loveliest property, the Ritz Carlton Palm Beach.

Its so easy to get to this (warm) neck of the woodsflights go all day from NYC to Fort Lauderdale, which is just 45 minutes south of Palm Beach. Its definitely more convenient to fly into Palm Beach, but the last flight there goes around 2pm, which isnt convenient if you need to work a full day.

These are some of the public spaces in the Ritz Carlton, which are so lovely.

Some pretty details and flowers throughout the lobby

The spa is very whimsicalI like that they had a customized scrub bar.

Above is the Club Lounge for the hotelif youre traveling with a family and staying at a Ritz Carlton, I would always recommend booking the Club level, even though its more expensive. They have breakfast, lunch, snacks, and drinks (yes even wine, champagne, cocktails) throughout the day, until 10pm. Its a bargain if you use it. Below is the breakfast setup.

We discovered some new consignment shops, and got some great stuff, like 1960s Gucci loafers, Pauline Trigere coatvintage cookbooksand lots of great dinner plates and coupe glasses. Unfortunately we could only buy the books and clothes, which are easy to pack up in a box and not worry about breaking. Once we found some great things that we knew would never fit into our luggage, we headed straight for a storage facility, and bought a box and tape, so we could check it in as our luggage.

I always bring a notebook on a trip, and tape up business cards in it. These were our favorite shops we found. We also loved the vintage and thrift shopping in Del Ray.

One of our favorite spots to get a cafe con leche is at El Bohio in Lantana, which is really close to the Ritz Carlton, on the Dixie Highway, which is where most of the shopping is.

We ended our day at Angle, the stellar, thoughtful restaurant in the Ritz Carlton. They are very careful about their sourcing, and get most of the produce from nearby organic farms. We had a wild boar tenderloin, a strip steak from a Nebraska farm, and the most amazing brussel sprouts, which were finished in local honey. The chef, Matthew McGhee, has really great ideas about food, and is someone to watch!


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Book Club Party: Grace

We couldnt wait to sit down at the end of January and dig in to our first select of 2013. Grace generated a lot of buzz around our office, and we were happy to learn more about the powerhouse behind Vogues creative vision.

Katie Field, an art director at MSL, illustrated cups for everyone at the gathering to mimic the book jacket!

Ms. Coddingtons memoir started at the beginning of her life, and took us through the development of her career. It was fascinating to learn about her Welsh roots and see how a very prudent but plucky young girl became a model-turned-editor.

  • The memoir, broken out into a scattering of anecdotes, varied from providing the right amount of information to cutting it just a bit too short. There were a few stories that we wish she had delved into a bit more, and details that she left out that were palpably missed.
  • Unsurprisingly, most of us more into the details of her time working in publishing than other side stories. We enjoyed the details she shared about people she collaborated with along the way, and appreciated the elements of creative crazy sprinkled into her life, and the way they have influenced her work.
  • Her ethos as a worker clearly stems from early days when she had to wear all of the hats on a photo shoot at any given time. As a model, she had to be prepared to do her own make up and hair, which clearly morphed into the ability to be willing and able to collaborate and pinch hit when needed.

Paulie Dibner is the Assistant Managing Editor forMartha Stewart Living. She has perfected her oatmeal chocolate chip cookie, but is on the hunt for a puff pastry recipe to knock her socks off. Follow her on Instagram@matinauxsaules.


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